Watch The Wolf Of Wall Street 2013
Are you ready for the real “Great Gatsby”? “The Wolf of Wall Street,” Martin Scorsese’s scathingly funny depiction of a group of morally depraved, drug-addled stock traders in the 1980s and ’90s is the crowning achievement of the director’s five-film collaboration with Leonardo DiCaprio. It is also the best American film of the year, better even than Steve McQueen’s “12 Years a Slave” and David O. Russell’s “American Hustle.” After 23 years, Scorsese has delivered a rejiggered version of his 1990 mob masterpiece “GoodFellas” for a new generation. Based on a 2008 memoir by Jordan Belfort, the film begins with Belfort (DiCaprio) being mentored by legendary, if also insane trader Mark Hanna (another brilliant bit by red-hot Matthew McConaughey).
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- Brace yourself for an outrageous true story from legendary filmmaker Martin Scorsese. Leonardo DiCaprio stars as a young stockbroker hungry for a life of non-stop thrills, where corruption was king and more was never enough. Leonardo DiCaprio, Jonah Hill, Margot Robbie.
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The Wolf of Wall Street (2013) Dec 25, 2013 8.2 /10 3h 0m 15,013 views A New York stockbroker refuses to cooperate in a large securities fraud case involving corruption on Wall Street, corporate banking world and mob infiltration.
After the crash of 1987 kills Hanna’s bank, Belfort founds his own business in a Long Island automobile repair shop dubbing it Stratton Oakmont. The company sells blue-chip stocks and hugely profitable penny stocks and makes a fortune for its traders as long as they are able to lure poor suckers into betting big. Along with his preppie wannabe pal Donnie Azoff (a terrific Jonah Hill), Belfort parties like a rock star. From a palatial waterfront beach house in the Hamptons to a “boat fit for a Bond villain,” Belfort and his stunning wife Naomi (an excellent Margot Robbie), the “Duchess of Bay Ridge,” have it all. But like so many self-made men in the movies, Belfort blows it — “Scarface”-style — on booze, coke, hookers, Lambos and bottle after bottle of the hypnotic drug methaqualone. We see bacchanalian parties.
Rivers of booze and drugs flow, and period music selected by Robbie Robertson provides a running commentary. Like Oliver Stone’s “Wall Street,” which gets a shout-out (as does “Freaks”), Scorsese exposes an American institution as a den of thieves. Greed turns these men into sexual swine. A scene in which Belfort is overtaken by the delayed effect of expired Quaaludes is going to be talked about for years.
DiCaprio sings Terence Winter’s operatic dialogue like the Pavarotti of the flesh pits. In addition to DiCaprio, Hill and McConaughey, the cast is superb: Kyle Chandler as a dogged FBI agent, Joanna Lumley as Naomi’s sexy English auntie, Jon Bernthal as a Long Island drug dealer and weightlifter and Rob Reiner as Belfort’s father. Hear them howl. (“The Wolf of Wall Street” contains drugs, nudity, sex and lewd language.) — What are your picks to win this year's Oscars? Cast your vote on the. You can also run your Oscar pool, or party,.
Based on the true story of Jordan Belfort (Leonardo DiCaprio), from his rise to a wealthy stockbroker living the high life to his fall involving crime, corruption and the federal government. As of now (February 2014), this film sits at an impressive #57 on IMDb's list of greatest films of all time. Using that as a jumping off point for this review, we will have to scale it back a bit. Whether the film should be on the list is debatable, but certainly not within the top 100 - it is neither that good nor among director Martin Scorsese's best work. Along the same lines, the Oscar nomination for Best Picture is a bit much. While there is no denying it was probably among the ten best films of 2013, with some incredible acting and more than adequate cinematography and editing, the very fact it has no chance of winning makes one question why even nominate the film at all. (Of course, without nine nominees, we would be back to having the reasonable number of five.) Scorsese received a best director nomination, and this strikes me as more understandable.
He managed to assemble an impressive cast and tell a story that is both compelling and entertaining, without trying to put some moral tag on it. Whether or not the viewer thinks this is a glorification or denouncement of the acts depicted is up to them, as the film itself is blank (in the best way). While on the subject, could the drug use and sexuality have been toned down? And there is a good argument that they should have been (especially the non-stop sex, which comes across as gratuitous and only adds more minutes to this lengthy financial epic).
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Another argument says the events are extremely unlikely and exaggerated at times. And this is probably also true; but the film is accurate to the memoir, not reality, and this is Belfort telling his story with all the embellishments that come with it. If you want just the facts, read the court transcripts. Leonardo DiCaprio is nominated for best actor, and this is a choice that is understandable and yet hard to rally behind. He truly becomes Belfort, and probably makes the man out to be even more wild than he was. That deserves a nomination. But this is not DiCaprio's best role (he has also done a fine job portraying Howard Hughes and J.
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Edgar Hoover) and not one he deserves the win for. Jonah Hill, on the other hand, was amazing and deserves to win his supporting actor category.
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Being up again Jared Leto, he probably has no chance, but Hill has come a long way in a few short years from a lovable doofus in 'Superbad' to a formidable actor in his own right. At first, 'Moneyball' seemed to be an anomaly in Hil's career, but he showed the world he could do even better when he became Donny Azoff in this picture. Whether Terence Winter deserves Best Adapted Screenplay for this film is unclear without having read the book. Such a nomination seems fair, though the win is hard to say without more familiarity. I am surprised no nominations came for cinematography or editing, which are strong in their subtlety. Of the film's five nominations, it may walk away with one win (Winter) or two at most (DiCaprio).
More likely it will walk away empty-handed. The film is not flawless (we could go on about how awkward the soundtrack was) and may or may not go on to be memorable for much more than its nudity and pervasive cursing.